alb3676622

JOSEPH-FERDINAND LANCRENON. Drapery Study for 'Castor and Pollux Freeing Helen'

Drapery Study for 'Castor and Pollux Freeing Helen'. Artist: Joseph-Ferdinand Lancrenon (French, 1794-1874). Dimensions: sheet: 17 15/16 x 12 in. (45.6 x 30.5 cm). Date: 1817.
This sheet is a study for Castor and Pollux Freeing Helen, the assigned subject for the 1817 Prix de Rome competition, in which Lancrenon placed third. While the final painting's location is unknown, this preparatory drawing focuses on the drapery of Helen. The nude male figure escorting her is outlined to her right. Lancrenon's study echoes a practice promulgated in Jacques Louis David's (French, 1748-1825) studio that encouraged studies of figures, nude and clothed, followed by sketches of heads. Here, the adept draftsman delineates Helen's svelte form through long strokes of black chalk and subtle modeling with white--a style indebted to that of his teacher, Anne Louis Girodet-Trioson (French, 1767-1824).
Partager
pinterestPinterest
twitterTwitter
facebookFacebook
emailEmail

Ajouter à une autre Lightbox

Ajouter à une autre Lightbox

add to lightbox print share
Avez-vous déjà un compte? S'identifier
Vous n'avez pas de compte ? S'inscrire
Acheter cette image. Sélectionnez l'usage:
Chargement...
Titre:
Drapery Study for 'Castor and Pollux Freeing Helen'
Drapery Study for 'Castor and Pollux Freeing Helen'. Artist: Joseph-Ferdinand Lancrenon (French, 1794-1874). Dimensions: sheet: 17 15/16 x 12 in. (45.6 x 30.5 cm). Date: 1817. This sheet is a study for Castor and Pollux Freeing Helen, the assigned subject for the 1817 Prix de Rome competition, in which Lancrenon placed third. While the final painting's location is unknown, this preparatory drawing focuses on the drapery of Helen. The nude male figure escorting her is outlined to her right. Lancrenon's study echoes a practice promulgated in Jacques Louis David's (French, 1748-1825) studio that encouraged studies of figures, nude and clothed, followed by sketches of heads. Here, the adept draftsman delineates Helen's svelte form through long strokes of black chalk and subtle modeling with white--a style indebted to that of his teacher, Anne Louis Girodet-Trioson (French, 1767-1824).
Technique/matériel:
Black chalk, stumping, white chalk, and black crayon on buff laid paper
Musée:
Metropolitan Museum of Art, New York, USA
Crédit:
Album
Autorisations:
? Autorisation de modèle: Non - ? Autorisation de propriété: Non
Questions sur les droits?
Taille de l'image:
2950 x 4365 px | 36.8 MB
Taille d'impression:
25.0 x 37.0 cm | 9.8 x 14.6 in (300 dpi)