Design for a Tondo with Arms of Cardinal Giulio della Rovere, Niccolò Martinelli, called il Trometta, Italian, 1565 1620, Pen and brown ink, brush and brown wash, white gouache over traces of black chalk on blue laid paper, The tondo is centered with the armorial device of an oak tree on a heart-shaped shield framed by a strapwork escutcheon, the coat of arms of the Della Rovere family. Two allegorical figures are seated at right and left of the heraldic arms. The figure at right holds two tablets; the left tablet is written in Latin: LIBER / GENE / RATIONE /S / IESU / CHRI / STI; the right is in pseudo-Hebrew. The figure on the left holds a cross. Two putti above holding cords of a cardinal's hat which together with the escutcheon identify the patron Cardinal Giulio della Rovere (1535-1578). A wreath encricles the design., Rome, Italy, 156678, interiors, Drawing, Drawing.
Design for a Tondo with Arms of Cardinal Giulio della Rovere, Niccolò Martinelli, called il Trometta, Italian, 1565 1620, Pen and brown ink, brush and brown wash, white gouache over traces of black chalk on blue laid paper, The tondo is centered with the armorial device of an oak tree on a heart-shaped shield framed by a strapwork escutcheon, the coat of arms of the Della Rovere family. Two allegorical figures are seated at right and left of the heraldic arms. The figure at right holds two tablets; the left tablet is written in Latin: LIBER / GENE / RATIONE /S / IESU / CHRI / STI; the right is in pseudo-Hebrew. The figure on the left holds a cross. Two putti above holding cords of a cardinal's hat which together with the escutcheon identify the patron Cardinal Giulio della Rovere (1535-1578). A wreath encricles the design., Rome, Italy, 156678, interiors, Drawing, Drawing