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Conquest of Mexico (1519-1521). Towards to Cholula five Indians are baptized by Friar Bartolome de Olmedo (upper scene). Punishment received by the Indians spies of Xicotencatl: they cut their hands (bottom scene). Detail of the board 7 belonging to a set of 24 boards made with the "enconchado" technique (fragments of mother-of-pearl embedded in the wooden surface, and soft layers of paint are added to the shiny surface). Painted by Juan and Miguel Gonzalez (active in the second half of the 17th century). Reign of Charles II. Oil on panel and nacre. Viceroyalty of New Spain. Mexico, 1698. Museum of the Americas. Madrid, Spain.

Conquest of Mexico (1519-1521). Towards to Cholula five Indians are baptized by Friar Bartolome de Olmedo (upper scene). Punishment received by the Indians spies of Xicotencatl: they cut their hands (bottom scene). Detail of the board 7 belonging to a set of 24 boards made with the "enconchado" technique (fragments of mother-of-pearl embedded in the wooden surface, and soft layers of paint are added to the shiny surface). Painted by Juan and Miguel Gonzalez (active in the second half of the 17th century). Reign of Charles II. Oil on panel and nacre. Viceroyalty of New Spain. Mexico, 1698. Museum of the Americas. Madrid, Spain.
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 Conquest of Mexico (1519-1521). Towards to Cholula five Indians are baptized by Friar Bartolome de Olmedo (upper scene). Punishment received by the Indians spies of Xicotencatl: they cut their hands (bottom scene). Detail of the board 7 belonging to a set of 24 boards made with the "enconchado" technique (fragments of mother-of-pearl embedded in the wooden surface, and soft layers of paint are added to the shiny surface). Painted by Juan and Miguel Gonzalez (active in the second half of the 17th century). Reign of Charles II. Oil on panel and nacre. Viceroyalty of New Spain. Mexico, 1698. Museum of the Americas. Madrid, Spain.
Personnalités: HERNAN CORTES (1485-1547) • JUAN GONZALEZ
Crédit: Album / Prisma
Autorisations: ? Autorisation de modèle: Non - ? Autorisation de propriété: Non
Questions sur les droits?
Taille de l'image: 2953 × 4184 px | 35.3 MB
Taille d'impression: 25.0 × 35.4 cm | 1162.6 × 1647.2 in (300 dpi)
Mots clés: 16E SIECLE • 16EME S • 17E SIECLE • 17EME S • 7E SIECLE • 7EME S • AMÉRCAIN • AMÉRICAIN • AMÉRICAINE • AMÉRICIAN • AMÉRICIANE • AMERIQUE • AMERIQUE, CONTINENT • ARMEE: SOLDATS • ART, PEINTURE • AZTEQUE • BAPTÊME • BÂTIMENT • BATIMENTS • BUILDING • CHRISTIANISATION • CINQ • CONFLICTS • CONFLIT • CONQUERANT • CONQUETE • CONQUISTADOR • CONTINENT AMERIQUE • CORPS MAINS • CORTES, HERNAN • COUTELAS • CRUAUTE • DETAIL • DIX-SEPTIÈME SIÈCLE • ÉDIFICE • ESPAGNOL • ESPIONNAGE • ÉVANGÉLISATION • EXPEDITION • EXPŽDITION • HISOIRE • HISTOIRE • INDIEN D'AMERIQUE • INDIEN • INDIENNE • INDIENS AMERICAINS • INDIENS AMERICAINS: AZTEQU • INDIENS • INDIGÈNE • JUAN GONZALEZ • MAIN • MAINS • MEXICAIN • MEXICAINE • MEXICO • MEXIQUE • MUSÉE • PEINTURE • SEIZIÈME SIÈCLE • SOLDAT DE L'ARMEE POPULAIRE NATIONALE • SOLDAT • SUCCÈS • TABLEAU • TABLEAUX • TECHNIQUE • TECHNOLOGIE • TRIOMPHE • VICTOIRE (ALLEGORIE) • VICTOIRE • VICTOIRES • VOYAGE DE DECOUVERTE • VOYAGES EXPEDITIONS • XVIE SIECLE • XVIIE SIECLE