alb3672518

YUKIO YUKIO II. Writing Box (Suzuribako) and Writing Table (Bundai) with Pines at Takasago and Sumiyoshi

Writing Box (Suzuribako) and Writing Table (Bundai) with Pines at Takasago and Sumiyoshi. Artist: Yukio Yukio II (Japanese, 1860-1929). Culture: Japan. Dimensions: Writing box: H. 2 in.; W. 9 in.; L. 9 3/4 in. 
Table: H. 4 7/8 in.; W.14 1/2 in.; L. 24 in.. Date: early 20th century.
In the Noh play Takasago, the Takasago and Sumiyoshi pine spirits are personified as an elderly couple, wearing humble dress. With its well-known symbol of matrimonial happiness, this writing set was likely made as a wedding gift. The Tokyo-based maki-e master Yukio Yukio II was awarded a gold medal for his lacquer work at the 1900 Paris World Exposition.
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Titre:
Writing Box (Suzuribako) and Writing Table (Bundai) with Pines at Takasago and Sumiyoshi
Writing Box (Suzuribako) and Writing Table (Bundai) with Pines at Takasago and Sumiyoshi. Artist: Yukio Yukio II (Japanese, 1860-1929). Culture: Japan. Dimensions: Writing box: H. 2 in.; W. 9 in.; L. 9 3/4 in. Table: H. 4 7/8 in.; W.14 1/2 in.; L. 24 in.. Date: early 20th century. In the Noh play Takasago, the Takasago and Sumiyoshi pine spirits are personified as an elderly couple, wearing humble dress. With its well-known symbol of matrimonial happiness, this writing set was likely made as a wedding gift. The Tokyo-based maki-e master Yukio Yukio II was awarded a gold medal for his lacquer work at the 1900 Paris World Exposition.
Technique/matériel:
Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold foil on nashiji ground, silver inlay, silver fittings
Période:
Meiji period (1868-1912)
Musée:
Metropolitan Museum of Art, New York, USA
Crédit:
Album / Metropolitan Museum of Art, NY
Autorisations:
Modèle: Non - Propriété: Non
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Taille de l'image:
4311 x 3234 px | 39.9 MB
Taille d'impression:
36.5 x 27.4 cm | 14.4 x 10.8 in (300 dpi)